you may say that i ain't free, but it don't worry me

Alright, let's get it right out in the open: I am a heretic.

The Godfather is one of the most revered films we have. Consistently ranked number 1 on imdb, number 3 on AFI's list of the top 100 American films, lauded by critics and audiences everywhere, the crowning achievement of the glorious age of cinema known as the 70's.

There's a better one.

Nashville is, in my mind, far and away the best movie of the 70's. It is a film with realistic human drama, deep emotions, humorous satire and beautiful music. Perhaps most importantly, it expresses a singular vision and style betraying the mind of a true director.

Robert Altman died today. I believe he was one of the greatest directors, in part because the medium of film is intrinsic to the style for which he is so well known. There is no way to make an “Altmanesque” novel or video game. The Godfather basically never seems to be more than a film adaptation of a novel, however great that novel or its adaptation is, whereas Nashville achieves a transcendence by using film in a way that is more than just another a medium for telling a story.

This should not be read as a dismissal of the achievements of The Godfather, which in many ways is the acme of the classical Hollywood style in which the filmmaking itself is so perfectly executed as to be virtually transparent. But where Francis Ford Coppola is perfecting what is for very good reason a well established film vocabulary, Altman is creating one all his own, and on top of that, actually succeeds much of the time.

I say much of the time, as even Altman's obituaries seem to go out of their way to point out that his body of work is widely viewed as being “uneven.” Did he make bad movies? Of course he did. But to think that anyone could ever achieve greatness without the risk of failure is foolishness. Over his long career, Mr. Altman had the chutzpah to achieve greatness several times over.

And let that be my lesson for today.